Bleary Eyed was formed in 2015 by frontman Nathaniel Salfi (guitar & vocals), now joined by Margot Whipps (bass & vocals), Pax Martyn (guitar), & Charlie Libby Watt (drums). Since their inception in the DIY scenes of DC and Philadelphia respectively, the band has taken many artistic turns. Through that experimentation, they’ve had time to grow into the sound they were always meant to make, filling a unique space in the shoegaze genre with their sample-heavy hazey computer pop atmosphere. The band presents both a positive yet outside energy with relatable lyrics with stacked harmonies from Whipps and Salfi over densely layered sample filled instrumentals. The songs teeter from more pleasant pop songs to heavier fuzz tracks sometimes blending elements from both styles.

On their most recent self-titled EP, a collection of four songs that combines an ethereal shoegaze shine with some of their post-punk roots, Bleary Eyed the EP possesses a certain shimmer. “I could write shit that’s really esoteric” says Salfi. “But I want to write stuff that’s fun and warm for people to enjoy too.”

That aforementioned warmth has always been Bleary Eyed’s golden string, the thing that has led them through the labyrinth of life and back to the sense of community and undeniable love that defines their origin story. You listen to the EP, and you feel it too, whether it’s the way that Whipps and Salfi’s voices effortlessly complement each other’s or the sense of light that permeates the release.

It’s been there all along, through all the different versions of the band but this time they really got it. However, it was only by waiting that Bleary Eyed could have a self-titled so radiant, and that’s worth all the time in the world.” ~ Samantha Sullivan

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a poppy strain of shoegaze-adjacent, sample-based indie rock - Stereogum

They've got a modern take on shoegaze and noise pop [...] and you can definitely hear those vibes coming through in this hazy, off-kilter new song. - Brooklyn Vegan

perfect dreaminess - Paste Magazine

a dreamy, sticky, and often playful take on noise pop, marked by reverb-soaked melodies and immersive walls of sound. - The Needle Drop

The wailing track opens with the type of operatic synthwave M83 defined with Hurry Up, We’re Dreaming before weaving in and out of familiar corners of the band’s prior discography, the developing bedroom-gaze (...) and the classic shoegaze canon. Flood Magazine

a hypnotic blend of fizzy synth textures, electronic samples, psychedelic sound collages, and dreamy shoegaze guitars. - Under the Radar

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